![]() The wheelchair-bound old man in I Am Here.Now bemoans his ailing health and the futility of the numerous chemotherapy sessions he's been through.Must have been his "bio-electro-medical implants" at work. Should you decide to consume immense quantities of canned tuna like Aaron Brand does in Double Down, you would find yourself afflicted with a severe case of mercury poisoning in very short order.If they're really important, other characters will say them as well. The character played by Breen will often repeat them incessantly. Arc Words: Appear frequently in his films.The prologue to Fateful Findings is supposed to be set several decades prior to present day, yet Leah's parents somehow possess a Lexus RX 330 that debuted in 2003, and a 2010 Ford Fusion can be seen in the background when the camera shifts to young Dylan standing in the middle of the road. Anachronism Stew: Laptops and flip phones aside, Neil makes no attempt to properly depict an accurate Period Piece.Cade and Cale play this straight, however, since both of them are played by Neil himself with very little attempt at making them the least bit distinct from one another.In fact, their actresses aren't even related. Despite Amber and Cindy being repeatedly stated to be twins, they don't even look remotely similar to each other. ![]() Aaron Brand of Double Down in particular describes himself as this. The Ace: Neil seems to really love this trope, since all of his protagonists are inexplicably the best at what they do if they're not already a Physical God.Accidental Aiming Skills: In Fateful Findings, Amy somehow gets a perfect headshot through her husband's skull.I have discovered more information than any troper ever has! Ever! The Neil Breen 5-Film Retrospective (2020).If you want to keep up with the man's myth and legend, you can find him on Twitter and YouTube. Not only that, but because his films have increasingly relied on crowdfunding, they're coming out more and more often, a far cry from the days when they were released every three to five years on the salaries from his day jobs. ![]() The fact that he is a man who doesn't need to do what he does but chooses to simply because he's so passionate about it, and a man who remains committed to his artistic visions, is something that his fans find legitimately inspiring. In spite of his reputation, Breen is genuinely a stellar example of what a true independent filmmaker can be. Not only has this propelled him to cult stardom, he's used this newfound popularity to his advantage, having his fans support the funding of his films rather than having to finance them himself. The incompetence of his films, from acting to production value, takes on new levels of So Bad, It's Good that have yet to be seen on film. In the past decade, Breen has come into Internet infamy, thanks in part to reviewers such as RedLetterMedia,, and The Cinema Snob taking on his efforts. As a director/writer/producer/actor/art director/head financier/editor/composer/caterer, he's directed a series of films dealing with supernatural events, government conspiracies, untrustworthy men in high places, marital strife, loneliness, and a moral center saving the others from their corruptness. Neil Francis Breen (born November 23, 1958) is a Las Vegas-based real-estate agent and architect, but is more well-known for his forays into independent filmmaking since the mid-2000s. ![]()
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